Conducting and Wind Music Symposium
Robert Taylor
with Shawn Vondran and guest panelists
July 6-11, 2025
Schedule: Su 2:00-8:00pm; MTWTHF 8:00am-5:00pm
Location: Ryan Center for the Musical Arts (Evanston Campus)
Overview
Led by Director of Bands Robert Taylor, along with a faculty panel chosen from conductors, music educators, performers, composers, and other special guests, this symposium is designed to enhance your conducting, teaching, musicianship, and artistry. Participants will be sent a list of scores to prepare in advance, with repertoire for a variety of ensembles and levels. In addition to conducting a live ensemble and receiving feedback from faculty, participants will attend sessions on a variety of topics, including diversifying repertoire and programming; creating ensemble culture and community; improving score study, analysis, and rehearsal techniques; increasing body awareness and efficiency; and broadening musical interpretation, imagination, and creativity.
The symposium is recommended for conductors of all levels with a desire to learn and explore new ideas. There are two ways to participate in the workshop: as a conducting participant or as an observing auditor. All attendees will participate in lectures and discussions. We value the diverse identities and experiences of participants as everyone contributes their own unique perspective. Everyone’s experience is enhanced and enriched through a more diverse group of participants. Preference will be given to those with a completed bachelor's degree and teaching/professional experience.
There are no audition requirements.
Available Credits
MUS_WKSP 310 Sec 4 Performance Workshop, One-Week 0 credit
MUS_WKSP 315 Sec 4 Performance Workshop, One-Week 0.5 credit
Tuition
Participant Tuition: $800, Full Program Auditor: $450
(Additional charge to register for credit)
How to Apply
Applications must be submitted via the Summer Application.
Upon creating a file in the Application, applicants should select “Summer Session” as their application type, and then select the workshop to which they are applying. This will ensure that the file is distributed to the correct reviewers. No separate application form is necessary—do not submit an application to Northwestern University via the Common Application or Graduate Music Online Application. Applicants will be asked to upload a detailed resume, personal statement, and list of references.
[Optional: you may also submit a weblink to a video that showcases your musicianship and brings additional context to your application. The video can feature you conducting a rehearsal or performance, playing an instrument, singing, or simply introducing yourself and your goals for the workshop.]
Due to the tremendous interest in this workshop, early submission (by February 1) is strongly recommended. Applicants will be screened as soon as materials are received and notified of admission via email. Enrollment is capped to allow maximum podium and instructional time for each participant. Registration with full payment is required to reserve your participation and will be accepted until the symposium is filled. Payments must be received no later than June 1, 2025.
NOTE: No paper applications will be accepted. Do not mail recordings to the Bienen School of Music or to faculty, as these will not be reviewed or returned.
Faculty
Robert Taylor
See Full BioRobert Taylor
CloseRobert Taylor ’02 MMus, ’06 DMus is Professor of Conducting and Director of Bands at Northwestern University, where he holds the John W. Beattie Chair of Music. As the fourth person in the university’s history to hold the Director of Bands position, Taylor conducts the Symphonic Wind Ensemble, teaches graduate and undergraduate conducting, and leads all aspects of the band program. With a career in music education spanning over thirty years, previous appointments include the University of British Columbia in Vancouver, BC, University of Puget Sound in Tacoma, WA, and Eureka High School in northern California, where ensembles under his direction earned recognition by Downbeat Magazine, the Selmer Corporation, and Grammy Signature Schools.
Known for innovative and immersive concert programming, Dr. Taylor maintains an active schedule as a guest conductor. Past engagements include performances with the Vancouver Brass Orchestra, U.S. Army Field Band, Pacific Symphonic Wind Ensemble, and Chicago-based contemporary music group, the Maverick Ensemble. Collaborations span a wide range of international artists—from virtuosi performers Barbara Butler (trumpet), Jose Franch-Ballester (clarinet), Larry Knopp (trumpet), Julia Nolan (saxophone), Daniel Perantoni (tuba), Jeff Nelsen (horn), Gail Williams (horn), and Allen Vizzutti (trumpet); to composers Mason Bates, Jodie Blackshaw, Steven Bryant, Raven Chacon, Michael Colgrass, John Corigliano, David Maslanka, Cait Nishimura, Joel Puckett, Alex Shapiro, Frank Ticheli, and Dana Wilson; to jazz, pop, and crossover performers Ingrid Jensen, Shruti Ramani, Manhattan Transfer, Kenny Werner, and Big Bad Voodoo Daddy. As a passionate advocate of music in the schools, Dr. Taylor is in high demand as a festival adjudicator, rehearsal clinician, and guest conductor throughout North America and internationally. His frequent appearances with young musicians include serving as principal conductor of the Puget Sound Youth Wind Ensemble and guest conductor of numerous honor groups, such as the Honors Performance Series at Carnegie Hall, National Youth Band of Canada, AMIS Asia Honor Band, California Orchestra Directors Association Honor Symphony, and many provincial and all-state bands across Australia, Canada, and the United States.
Taylor received the Master of Music and Doctor of Music degrees in conducting from Northwestern University, where he studied with Mallory Thompson, and the Bachelor of Arts degree in Trumpet and Music Education from Humboldt State University. His research on wind literature, rehearsal techniques, integration of cutting-edge technology, and application of Ashtanga Yoga to improve body awareness and injury prevention in the training of nascent conductors and performing musicians, has been featured in presentations at regional, national, and international music conferences, including appearances at the Midwest Clinic, College Band Directors National Association, and on several popular podcasts. Among numerous contributions in leading publications, recent research focuses on diversity, equity, inclusion, and belonging, through contemporary, socially-conscious programming and as co-author of The Horizon Leans Forward, a book that amplifies the talent and voices of underrepresented communities in the wind band field.
Dr. Taylor is a Killam Laureate, Jacob K. Javits Fellow, and Thomas A. Davis Teaching Prize Winner, and has served as on the executive boards of the British Columbia Music Educators Association and College Band Directors National Association (Northwest Region). He is a member of the Phi Kappa Phi and Pi Kappa Lambda National Honor Societies, World Association for Symphonic Bands and Ensembles, and National Association for Music Education.
Shawn Vondran
See Full BioShawn Vondran
CloseAssociate director of bands. Conductor of the Northwestern University Symphonic Band, Shawn D. Vondran teaches conducting, wind repertoire, and other courses in the music performance and education curricula. Prior to his appointment at Northwestern, he served as the assistant director of bands at Ball State University. Recognized for his excellence in teaching and dedication to students while at Ball State, Vondran received the College of Fine Arts Dean's Teaching Award in 2013. In addition, the Ball State University Symphony Band was selected to perform at the 2012 and 2014 Indiana Music Education Association Conference. Vondran also served on the faculties at Western Illinois University and Youngstown State University, respectively. He began his professional teaching career at Mentor High School in Ohio, where his concert, jazz, and marching bands consistently received superior ratings and accolades for their outstanding performances during his four-year tenure.
Vondran maintains an active schedule with engagements throughout the United States as a guest conductor, clinician, and adjudicator. In addition to performance engagements, he is an ongoing contributor to the Teaching Music Through Performance in Band series published by GIA and has appeared in the National Band Association journal. During his career as a conductor, Vondran has worked with a number of notable composers in the preparation, performance, and/or recording of their works for the wind band medium. Recent artistic collaborations include John Corigliano, Christopher Rouse, David Maslanka, Michael Daugherty, Steven Bryant, and Joel Puckett. His professional affiliations include the College Band Directors National Association, National Band Association, National Association for Music Education, and Pi Kappa Lambda.
Vondran received his doctor of musical arts degree in instrumental conducting, with an emphasis in music education, from the University of Miami (FL). Vondran completed a master of music degree in instrumental conducting at Youngstown State University and earned a bachelor of music education degree (magna cum laude) at The Ohio State University.
Robert Taylor
CloseRobert Taylor ’02 MMus, ’06 DMus is Professor of Conducting and Director of Bands at Northwestern University, where he holds the John W. Beattie Chair of Music. As the fourth person in the university’s history to hold the Director of Bands position, Taylor conducts the Symphonic Wind Ensemble, teaches graduate and undergraduate conducting, and leads all aspects of the band program. With a career in music education spanning over thirty years, previous appointments include the University of British Columbia in Vancouver, BC, University of Puget Sound in Tacoma, WA, and Eureka High School in northern California, where ensembles under his direction earned recognition by Downbeat Magazine, the Selmer Corporation, and Grammy Signature Schools.
Known for innovative and immersive concert programming, Dr. Taylor maintains an active schedule as a guest conductor. Past engagements include performances with the Vancouver Brass Orchestra, U.S. Army Field Band, Pacific Symphonic Wind Ensemble, and Chicago-based contemporary music group, the Maverick Ensemble. Collaborations span a wide range of international artists—from virtuosi performers Barbara Butler (trumpet), Jose Franch-Ballester (clarinet), Larry Knopp (trumpet), Julia Nolan (saxophone), Daniel Perantoni (tuba), Jeff Nelsen (horn), Gail Williams (horn), and Allen Vizzutti (trumpet); to composers Mason Bates, Jodie Blackshaw, Steven Bryant, Raven Chacon, Michael Colgrass, John Corigliano, David Maslanka, Cait Nishimura, Joel Puckett, Alex Shapiro, Frank Ticheli, and Dana Wilson; to jazz, pop, and crossover performers Ingrid Jensen, Shruti Ramani, Manhattan Transfer, Kenny Werner, and Big Bad Voodoo Daddy. As a passionate advocate of music in the schools, Dr. Taylor is in high demand as a festival adjudicator, rehearsal clinician, and guest conductor throughout North America and internationally. His frequent appearances with young musicians include serving as principal conductor of the Puget Sound Youth Wind Ensemble and guest conductor of numerous honor groups, such as the Honors Performance Series at Carnegie Hall, National Youth Band of Canada, AMIS Asia Honor Band, California Orchestra Directors Association Honor Symphony, and many provincial and all-state bands across Australia, Canada, and the United States.
Taylor received the Master of Music and Doctor of Music degrees in conducting from Northwestern University, where he studied with Mallory Thompson, and the Bachelor of Arts degree in Trumpet and Music Education from Humboldt State University. His research on wind literature, rehearsal techniques, integration of cutting-edge technology, and application of Ashtanga Yoga to improve body awareness and injury prevention in the training of nascent conductors and performing musicians, has been featured in presentations at regional, national, and international music conferences, including appearances at the Midwest Clinic, College Band Directors National Association, and on several popular podcasts. Among numerous contributions in leading publications, recent research focuses on diversity, equity, inclusion, and belonging, through contemporary, socially-conscious programming and as co-author of The Horizon Leans Forward, a book that amplifies the talent and voices of underrepresented communities in the wind band field.
Dr. Taylor is a Killam Laureate, Jacob K. Javits Fellow, and Thomas A. Davis Teaching Prize Winner, and has served as on the executive boards of the British Columbia Music Educators Association and College Band Directors National Association (Northwest Region). He is a member of the Phi Kappa Phi and Pi Kappa Lambda National Honor Societies, World Association for Symphonic Bands and Ensembles, and National Association for Music Education.
Shawn Vondran
CloseAssociate director of bands. Conductor of the Northwestern University Symphonic Band, Shawn D. Vondran teaches conducting, wind repertoire, and other courses in the music performance and education curricula. Prior to his appointment at Northwestern, he served as the assistant director of bands at Ball State University. Recognized for his excellence in teaching and dedication to students while at Ball State, Vondran received the College of Fine Arts Dean's Teaching Award in 2013. In addition, the Ball State University Symphony Band was selected to perform at the 2012 and 2014 Indiana Music Education Association Conference. Vondran also served on the faculties at Western Illinois University and Youngstown State University, respectively. He began his professional teaching career at Mentor High School in Ohio, where his concert, jazz, and marching bands consistently received superior ratings and accolades for their outstanding performances during his four-year tenure.
Vondran maintains an active schedule with engagements throughout the United States as a guest conductor, clinician, and adjudicator. In addition to performance engagements, he is an ongoing contributor to the Teaching Music Through Performance in Band series published by GIA and has appeared in the National Band Association journal. During his career as a conductor, Vondran has worked with a number of notable composers in the preparation, performance, and/or recording of their works for the wind band medium. Recent artistic collaborations include John Corigliano, Christopher Rouse, David Maslanka, Michael Daugherty, Steven Bryant, and Joel Puckett. His professional affiliations include the College Band Directors National Association, National Band Association, National Association for Music Education, and Pi Kappa Lambda.
Vondran received his doctor of musical arts degree in instrumental conducting, with an emphasis in music education, from the University of Miami (FL). Vondran completed a master of music degree in instrumental conducting at Youngstown State University and earned a bachelor of music education degree (magna cum laude) at The Ohio State University.