Live Stream

Bienen Contemporary/Early Vocal Ensemble

December 6, 2024, at 7:30 p.m. CST

Program

Andrew Megill, conductor

Join the singers of BCE as they explore the choral works of Samuel Barber, who has been praised as America’s most profound composer of vocal music. The program will include his Reincarnations, three settings of poetry by James Stephens based on earlier poems by Anthony Raftery—a blind Irish bard who spent much of his life wandering across Ireland, taking shelter wherever it was offered in return for the gift of his words. These three miniature masterpieces explore, in turn, the ecstasy of infatuation, the unspeakable grief of human loss, and the deep joy of a love which has survived into maturity. Other works by Barber will include “To be sung on the water,” “Sure on this shining night,” and “Agnus Dei,” as well as solo songs and a work by Gian Carlo Menotti, Barber’s lifelong companion. Additional details coming soon.

Artists

Andrew Megill

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Andrew Megill

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DMA, Rutgers University

Andrew Megill is professor of conducting and director of choral organizations at the Northwestern University Bienen School of Music, where he holds the Carol F. and Arthur L. Rice, Jr. University Professorship in Performance. In addition, he leads Music of the Baroque, the Montreal Symphony Orchestra Chorus, the Carmel Bach Festival Chorale, and Fuma Sacra.

Megill is recognized as one the leading choral conductors of his generation, admired for both his passionate artistry and his unusually wide-ranging repertoire, which extends from early music to newly composed works. He has prepared choirs for the American Composers Orchestra, American Symphony, Cleveland Orchestra, Dresden Philharmonie, National Symphony, New Jersey Symphony, New York Philharmonic, and Venice Baroque Orchestra for conductors including Pierre Boulez, Charles Dutoit, Joseph Flummerfelt, Rafael Frühbeck du Burgos, Alan Gilbert, Neeme Järvi, Zdenek Macal, Kurt Masur, Zubin Mehta, Kent Nagano, John Nelson, Rafael Payare, and Julius Rudel. Recordings of choirs conducted or prepared by him may be heard on the Decca, EMI, Canteloupe, Naxos, Albany, and CBC labels.

Megill is particularly admired for his performances of Baroque choral works. He regularly collaborates with leaders in the field of historically-informed performance, and has conducted many period-instrument orchestras, including Piffaro, Rebel, Sinfonia NYC, Brandywine Baroque, the Sebastians, Tempesta di Mare, and the Trinity Baroque Orchestra. A frequent champion of music of our own time, he has also conducted regional or world premieres of works by Caleb Burhans, Paul Chihara, Dominic DiOrio, Sven-David Sandström, Caroline Shaw, Lewis Spratlan, Steven Stucky, Jon Magnussen, Arvo Pärt, and Krzysztof Penderecki.

Prior to his appointment at Northwestern, Megill served as professor and director of choral activities at the University of Illinois (Urbana-Champaign) and taught at Westminster Choir College for more than 20 years. He also previously served as music director of the Masterwork Chorus and Orchestra and Chorusmaster for the Spoleto Festival USA. He has been a guest artist with the Yale Institute of Sacred Music, TENET vocal ensemble, the Juilliard Opera Center, and Emmanuel Music, and served as interim choirmaster for Trinity Church in Manhattan.

 

Andrew Megill

Close

DMA, Rutgers University

Andrew Megill is professor of conducting and director of choral organizations at the Northwestern University Bienen School of Music, where he holds the Carol F. and Arthur L. Rice, Jr. University Professorship in Performance. In addition, he leads Music of the Baroque, the Montreal Symphony Orchestra Chorus, the Carmel Bach Festival Chorale, and Fuma Sacra.

Megill is recognized as one the leading choral conductors of his generation, admired for both his passionate artistry and his unusually wide-ranging repertoire, which extends from early music to newly composed works. He has prepared choirs for the American Composers Orchestra, American Symphony, Cleveland Orchestra, Dresden Philharmonie, National Symphony, New Jersey Symphony, New York Philharmonic, and Venice Baroque Orchestra for conductors including Pierre Boulez, Charles Dutoit, Joseph Flummerfelt, Rafael Frühbeck du Burgos, Alan Gilbert, Neeme Järvi, Zdenek Macal, Kurt Masur, Zubin Mehta, Kent Nagano, John Nelson, Rafael Payare, and Julius Rudel. Recordings of choirs conducted or prepared by him may be heard on the Decca, EMI, Canteloupe, Naxos, Albany, and CBC labels.

Megill is particularly admired for his performances of Baroque choral works. He regularly collaborates with leaders in the field of historically-informed performance, and has conducted many period-instrument orchestras, including Piffaro, Rebel, Sinfonia NYC, Brandywine Baroque, the Sebastians, Tempesta di Mare, and the Trinity Baroque Orchestra. A frequent champion of music of our own time, he has also conducted regional or world premieres of works by Caleb Burhans, Paul Chihara, Dominic DiOrio, Sven-David Sandström, Caroline Shaw, Lewis Spratlan, Steven Stucky, Jon Magnussen, Arvo Pärt, and Krzysztof Penderecki.

Prior to his appointment at Northwestern, Megill served as professor and director of choral activities at the University of Illinois (Urbana-Champaign) and taught at Westminster Choir College for more than 20 years. He also previously served as music director of the Masterwork Chorus and Orchestra and Chorusmaster for the Spoleto Festival USA. He has been a guest artist with the Yale Institute of Sacred Music, TENET vocal ensemble, the Juilliard Opera Center, and Emmanuel Music, and served as interim choirmaster for Trinity Church in Manhattan.

 

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