Fall 2024 Fanfare

A Message from the Dean

The headline of a recent New York Times article caught my attention: “AI Can Write Poetry, but It Struggles with Math.” The essence of art is communication from the perspective of the artist, and it is often about, or in reaction to, our current human condition. This applies to both the creation and performance of art. And the practice of mentoring artists includes encouraging authenticity when communicating. A computer responding to prompts by summarizing vast amounts of data hardly feels equivalent to authentically communicating the human experience. But perhaps these are the philosophical conversations we must now have. How are we going to refine the ever-evolving and expanding ways that we communicate, including artistically?

As artificial intelligence continues to emulate human language and learning, we as artists must continue reflecting the world back upon itself from the truly human perspective. If the shortest distance between two points is a straight line, then the most direct form of communication is from one person to another. 

We must continue to remind those who innovate our technology that creativity is not merely a summation of data, nor does it always follow linear thinking patterns. Moments of inspiration sometimes occur when unexpected ideas emerge.

Perhaps, at the end of the day, there’s a middle ground to be found. If we can acknowledge that AI can “write poetry,” we must also agree that humans can write better poetry. Many would argue this is certainly the case with music (for now). And as Northwestern researchers continue engaging in broad conversations about AI and its impact on all that we do, we need musicians to be as much a part of those conversations as anyone else.

Jonathan Bailey Holland

Jonathan Bailey Holland
Dean
Kay Davis Professor of Music


The Power of Music for Childhood Well-Being

A multidisciplinary team of Northwestern researchers is examining the use of singing and breathwork to improve the psychological and social well-being of children worldwide.

Top 10 CME Performances from the Past 10 Years

Ben Bolter and Alan Pierson, who recently celebrated their 10th anniversary as codirectors of the Contemporary Music Ensemble, share performance highlights from the past 10 years.

Mallory Thompson’s Final Bow

Mallory Thompson retired after nearly three decades as director of bands. Hundreds of alumni returned to campus for her final Northwestern concert.

Looking Back, Forging Ahead

Dean Holland reflects on his first year in office and charts a path forward for the Bienen School of Music.

Recent Guest Artists

Recent Guest Artists

Ensemble Linea presented two concerts, including a program of new works by student composers Wan Heo, Yi-Ting Lu, Jasmine Thomasian, and Serge Wen.

Recent Guest Artists

Mezzo-soprano Jamie Barton presented a Tichio-Finnie Vocal Master Class.

Recent Guest Artists

Italian violinists Antonio Pellegrino and Dino De Palma joined the Baroque Music Ensemble and conductor Stephen Alltop to perform Vivaldi’s "The Four Seasons."

Recent Guest Artists

Music director of the Lyric Opera of Chicago Enrique Mazzola coached master’s students in an orchestral conducting seminar.

Recent Guest Artists

Stefan Hoskuldsson, principal flute of the Chicago Symphony Orchestra, taught a masterclass for the flute studio.